Archive for February, 2007

Feb 28 2007

Bonnie At Beard’s House

Published by Stephanie under Classes, Cooking

The best part of watching Bonnie Stern teach a class at James Beard House in New York City is not having my own ball of challah dough to play with, although that was fun. The best part is watching Bonnie spar affectionately with co-instructor Mitchell Davis.

To celebrate the new book each of them published this year, they put together this cooking-class weekend: a workshop on Saturday and a multi-course brunch the next day.

Mitchell grew up in Toronto and moved to New York in the mid-1980s. He has been the Beard Foundation’s communications executive for 14 years. They met when Bonnie started keeping the Foundation abreast of Toronto’s restaurant news. [It turned out their parents spend summer vacations at the same resort.]

Simply on his own, Mitchell is impressive. He’s an adjunct professor and PhD candidate in New York University’s food studies program, which would explain his encyclopedic knowledge smattered throughout the workshop. He’s published four books and contributes to GQ and Food & Wine. Worth mentioning: he makes his own butter and his own vanilla extract.

Ten years of friendship have Bonnie and Mitchell finishing one another’s sentences, good-naturedly disagreeing on cooking times and piping up with, “I didn’t know that,” when the other has offered up a choice bit of information, and all of it ego-free.

Mitchell was the day’s value-added, but it was Bonnie I came to see, and she didn’t disappoint. Her understanding of food is visceral. It’s a pleasure to watch her hands, and she’s comfortable under close scrutiny.

The set-up is intimate, with instructors surrounded by a U-shaped butcher-block counter that puts their students less that a meter away. She’s warm and has her students bursting into laughter more that a couple of times.

Favourite lesson of the day:
The challah dough should feel like the inside of a woman’s thigh.

“Or the underside of a man’s forearm,” Mitchell pipes up.

Tomorrow: reports from the class

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Feb 24 2007

Enough is Enough

Published by Stephanie under Cooking, Restaurants

Welcome back for a bite-by-bite rendering of lunch at L’Atelier in the Four Seasons New York.

We’re having the eight-course tasting menu to get the broadest view of what this kitchen can do.

Bon appetit.

Amuse Bouche

Adorning a beautiful chestnut soup is a crouton the size of a hearty diamond and a miniature celery leaf. Mushroom and sherry flavours came through, but not the purported bacon, which we should have been able to taste. Why else tell us about it? Still, what you do taste is well balanced and delicious. To the side of the gem crouton, a clover leaf shaving of truffle, a sign of what was to come.

1st course
Blue fin tuna tartar, bergamot red pepper confit with quail egg

Nothing else on this plate had to be any good, because the tuna was unbelievable. The firm, jewelled flesh was cut into a brunoise and barely seasoned; the cook realized it needed next to nothing. But in a place like this, well enough can never be left alone. The tuna is the base of a napoleon-style plating, under some red pepper and a round sliver of parmesan cheese.

Two problems. First, the promised bergamot confit never materialized. The peppers tasted roasted, period. Second, the construction became an instant mess when first approached by a fork. This could have been avoided with a different building code to save the credibility of this dish.

I pushed the peppers and cheese to one side and had a transcendent experience with the tuna and the soft-boiled quail egg that I broke nearby.

2nd course
Duck foie gras with shaved black truffles

A gelled pool of cold mousse formed the physical base of the dish, which was served in a bowl, a curious decision that made perfect sense. It was simultaneously rich and light, with complex earthy flavours, and garnished with shaved truffle and gold foil. Lovely.

3rd course
Day Boat Scallops in their shell with seaweed butter

Two elements spoiled this course: a tough and stringy scallop [where was the pearly soft centre that makes perfectly cooked scallops so great?] and a brown butter that didn’t offer even the faintest hint of the sea. Too bad, so sad.

4th course
Truffled langoustine ravioli with tender young cabbage

Recovering nicely from the scallop gaffe, the langoustine was perfect, and so was the whole dish. Each element offered up something subtle and distinct, and came together nicely with a delicate unadvertised fois gras butter.

5th course
Amadai in lily bulb, yuzu citrus broth

Amadai is to tile fish what the Patagonian tooth fish is to sea bass. Still, a rose is a rose, unless it gets over-fished. Stay tuned.

Any other delicately flavoured fish would have worked here. The lily bulb tastes like leek and its bulb was cooked potato-creamy. The broth kept its citrus restrained, nice work. But I could pass on the chrysanthemum blossom garnish. The idea was interesting up until it landed on my tongue. It was like eating a miniature thistle-top.

6th course
Roasted Kobe beef with sautéed shallots and green herb salad

For my first experience with Kobe, I’m glad it came unadorned. It tasted like an egalitarian marriage of quality beef and French butter. I’ve never eaten flesh like this before. There were only four medium-sized bites, which was plenty. I reverently gave each bite its due and then dipped into Robuchon’s signature white truffle potato puree, which he likes to serve in a little black pot and tastes like a savoury potato-custard soufflé.

7th course
Dessert #1
Coconut ravioli, lemon mascarpone mousse

Sometimes a ravioli isn’t a ravioli. This is one such case. It’s impossible to single out the stuffing because there were so many elements on the plate: grapefruit section [only one], grapefruit foam, mint sorbet, kirsh brulé, kirsh gelée, mousse, almond tuille and chantilly.

Worth drawing attention to was the kirsh brulé, a round of custard bruléed outside its cocotte, and a transparent tuille the size and shape of a razor clam, both technically impressive.

The foam was gratuitous. Foams usually are.

8th course
Dessert #2
Caramelized apple, rice pudding, rosemary ice cream

List of elements: rice pudding, roasted apple, orange glaze, rosemary ice cream, orange foam, puff pastry, vanilla sauce.

A skilled hand made the apple the star of this dish. It held its shape while soft enough to spread, which I did on the puff pastry, which was ideal — crisp, light, rich. As the headliner, the rice pudding flopped. Not bad, just not distinctive in any way. The orange flavours also flopped: the glaze was reduced to bitterness, and the foam had no flavour. Kudos for the rosemary ice cream,but the vanilla sauce was overkill.

Finally,
Espresso with espresso macaroon

Good coffee, but I pass on the cookie.
Enough is enough, already.

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Feb 23 2007

When Experience Trumps Product

Published by Stephanie under Marketing, Restaurants

On the surface, it doesn’t make sense for a luxury hotel to lease prime dining space to another restaurant when it has a fine one of it own.

At New York’s Four Seasons, the “house”restaurant is 57 and certainly no slouch. Fifty-seven is now under the command of Lynn Crawford, who took over as the hotel’s Executive Chef last November.

Ironically, the opening chef of 57 was Sue Weaver, Crawford’s mentor and predecessor at Crawford’s last job, Executive Chef of Toronto’s Four Seasons.

So, why would the Four Seasons permit Joêl Robuchon to open “Atelier” in their hotel, essentially taking customers away from 57?

The current buzz in hotel marketing is experience over product, or in this case, venue.

If the hotel can give its guests a second chance at brilliant fine-dining without having to leave the hotel –  because there’s certainly no shortage of high quality restaurants just a few short cab rides away — they’ve added another great experience to their guests’ stay.

And what does a guest get at L’Atelier? French cuisine interpreted by some Japanese sensibility still in love with the classics.

We’re having lunch there tomorrow. You’re invited.

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Feb 21 2007

Arriving JFK

Published by Stephanie under Cooking, Restaurants

My first meal in New York was at my hotel, the rock’n’roll Paramount, which I’ve so named because of the music that hits you the moment you arrive. Philip Stark’s quirky details are everywhere: arty one-off pieces of lobby furniture, an optical-illusion set of stairs that conjures up Dali, and then the rooms. More on that later.

The delayed flight left me exhausted and ate up my appointment to do a profile of Chef Lynn Crawford, which was the whole point of my trip. She recently left Toronto to take over New York’s Four Seasons kitchen. I had another five days to catch up with her, or so I thought. More on that later.

Tired and hungry, I opted for convenience. It made perfect sense to try the hotel restaurant. There’s been a lot of talk about the general improvement of hotel food. Game on, I thought. I order a glass of wine and the salmon. Bring on the Omega-3s. I’m not dining, I’m fueling.

What a catastrophe. The glaze was so foul, I spit it out. I called over the waiter. His popping eyes and lifted brows say, “It can’t be.”

“Taste it,” said I. “And get the chef to taste it. If he thinks it’s good, his palate’s not.” [Tired + hungry = nasty.]

I ordered two fast appetizers and got the hell out, but returned for breakfast the next morning to give them another chance.

Maybe I’m too old to stay in a rock’n’roll hotel, but I think loud music doesn’t go with morning coffee … BECAUSE IT’S 8 O’CLOCK IN THE MORNING! [I am old.] I ploughed through half of a mediocre oversized breakfast and got the hell out, again. I don’t think I need to say that I didn’t go back, but I’ll say it again, for emphasis.

The hotel may have blown the food and ambience test, but the room was great. For headboards, Stark installs reproductions of Great Master works of art. Mine was Vermeer’s Girl with a Pearl Earring, which I loved, even though there was just half of her. There was no bathtub, which I didn’t love. [Who would have thought to ask?]

Other great details: high-thread-count linen, groovy furniture, space-age bathroom vanity, a window that opens entirely.

After dinner, I took a walk around Broadway and found myself in front of Music Box Theatre. Julianne Moore and Bill Nighy were appearing in David Hare’s The Vertical Hour. It turns out there’s a seat in the fourth row with my name on it. A lovely, redemptive end to the day.

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Feb 20 2007

Who’s Counting?

Published by Stephanie under Books, Classes, Cooking

Me.

How many ways has Bonnie Stern distinguished herself?

I can confidently say …

:: no other Canadian cooking teacher has written as many books,

:: invited as many acclaimed chefs and cooking instructors to teach at her school

:: or hosted as many respected authors to discuss their work with a dozen of their fans at a time — while serving them a meal inspired by the book.

I’d like to know which American would match her accomplishments. [An unofficial mission beginning today]

Count’em…
Books

Food Processor Cuisine, 1978
At My Table, 1980
Cuisinart Cookbook, 1985
The Bonnie Stern Cookbook, 1987

Appetizers, 1990
Simply HeartSmart Cooking, 1994
In the Kitchen with Bonnie Stern, 1995
Cooking with Bonnie Stern, 1996
More HeartSmart Cooking with Bonnie Stern, 1997
Simply HeartSmart, 1997
Desserts, 1998
HeartSmart Cooking, 2000
HeartSmart Cooking for Friends and Family, 2000
Simply HeartSmart Cooking, 2003
Bonnie Stern’s Essentials of Home Cooking, 2003
HeartSmart: The Best of Bonnie Stern, 2006

Chef/Cooking Teachers
[a partial list]

Marcella Hazan
Giuliano Bugialli
Carlo Middione
Thomas Haas
Rick Bayless
Rob Feenie
Nina Simonds
Madhur Jaffrey
Caprial Pence
Susur Lee
Mark McEwan
Mark Bittman
and more

Authors
[another partial list]

Vincent Lam
Stuart McLean
Margaret Atwood
James Chatto
Margaret MacMillan
Marnie Woodrow
Lori Lansens
Camilla Scott
Nino Ricci and more

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Feb 19 2007

Valentine for Bonnie

Published by Stephanie under Books, Cooking

Everything is relative.

Cooking school means one thing to the would-be professional chef, and another to the home cook. Bonnie Stern’s School of Cooking is one of the latter. She opened it in 1973, long before there were foodies, foodtv or molecular gastronomy. She was a pioneer for selling the city on the idea of cooking classes long before we got the choices we have today. She also gets kudos for lasting as long as she has. There’s a lot of to be said for constancy, and she’s a great example of that.

Because my training was for the professional kitchen, I knew little about Bonnie, until now. I was going to be in New York for a few days, so I looked into which celebrity chef would be cooking at James Beard House. The Greenwich Village home of the father of American gastronomy is a culinary destination. And there was Bonnie, doing a Saturday workshop and cooking a Sunday brunch during my stay there. I quickly signed up for both, and in the meantime made an appointment to interview her here before watching her in action away from home.

I met with Bonnie on Valentine’s Day, ostensibly to talk about her school from a business point of view, but she wouldn’t hear of it. Which is not to say she didn’t give me a warm welcome. She certainly did. She put on a friendly pot of coffee, laid out some cookies, set me down in her dining/classroom, with the kitchen at one end, where two women were doing some prep for an upcoming class.

But she didn’t want to talk about business, no matter how I approached it.

“For me, it’s all about food and cooking,” she says. “I’m passionate about it. I love it.”

Happy Valentine’s, Bonnie.

More on Bonnie to come.

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